Friday, 4 November 2016

MIS - Advanced Photographic Practice

BRIEF

Constructed Narratives

Students must produce a cohesive photographic project (or equivalent i.e. moving image / interactive piece by negotiation with module staff) that responds to the theme of memory.

Emphasis will be placed upon the control of meaning, reading and reception of the intended message.

The importance of understanding your audience and the significance of final display modes and forms of dissemination will act as key criteria.

SUBMISSION

Deliverables:
Appropriately edited photographic project (or equivalent i.e. moving image / interactive piece by negotiation with module staff)

CD containing all deliverables edited photographic project (or equivalent i.e. moving image / interactive piece by negotiation with module staff)

Research & Development Casebook – Containing:

PDF copy of your research blog, highlighting each student’s associated research findings and associated reflections.

Your blog must evidence engagement with the weekly technical sessions and include examples of ideas development, experiments and mock-ups leading to the creation of your final submitted image / equivalent.

1 x ‘Word’ document with the actual web link to your blog.

Written proposal outlining your project aims, objectives & intent. (Word Document)

Engaged, critical analysis of your final work (Video commentary by author recorded over 1 x copy of final submission (video works) or to camera for alternative submissions in QUICKTIME format

Written statement – critically engaged review of your project (Word Document)

DEADLINE

04.11.16

Thursday, 3 November 2016

Project Proposal Pro Forma

Name: Viktorija Smidtaite

Working title: Scars

Précis

In this body of work, I would like to show the memories that are saved on human skin. To photograph peoples scars and record them talking about their memories and experiences related to the scar. No faces or names will be shown, in order to make it less personal, and to show that it can happen to everyone and it doesn't matter who the person it. The images will be displayed on the large touch screen and when viewer touch the scar/image the sound of the person voice will start playing.

Rationale

Scars are memories that can be touched and seen, stories that are written deep into someone’s skin. Scar represents the moment in life when something happened. That event is not only stuck in memory but also visible on the skin.

Some people can be very sensitive about their scars and they don’t like people touching them or even seeing them. They can represent a traumatic event in someone’s life. But it is also a part of a human body and it cannot be ignored. Scar is a part of human life and memory and I believe that every mark on the skin is interesting, it is different and has its own story.

In this project I would like to show the scars and the memories that hides behind them. I also would like to try making the artwork interactive, so people could not only look at it but feel it and understand it as well.

Aims & Objectives

The work would be aimed at people who have scars themselves, it is a chance to show that scars cannot only represent a traumatic event but are beautiful and interesting as well.


Evidence of initial research

Ted Meyer is a Los Angeles-based artist, curator, and patient advocate who makes a beautiful art from people scars in his project called “Scarred for Life: Mono-prints of Human Scars.” Meyer said. “I do a print off their body and then I try to work in some of the details of what happened to them into the painting that I do over the print.”

Wednesday, 2 November 2016

Creating interactive piece with InDesign

On Mondays with John we learned how to create interactive pdf using just InDesign. In the first lesson we created a pdf with a few hot spots on it. Because I couldn't upload a pdf on my blog I filmed my screen just to show my final piece from this lesson. It has small thumbnail pictures of the left hand side the bigger image on the right and the button that helps to look through the images at the bottom. It looks like interactive picture album. 





Later on we created an interactive piece using video instead of images. It is similar to the first piece that we created just instead of an arrows that helps to go through the images we put play and pause buttons and instead of the smaller images on the left hand side we put buttons that leads straight to certain part of the video. I used random video for this, because I just wanted to see how it works and didn't think to much about the video itself.



These are very simples pieces and are not very difficult to create, but it shows how many possibilities there are to create something more complicated using different media just in InDesign.

In the last lesson of InDesign we were shown how to create multi-state objects. Multi-state object: one page item, many versions. It is very similar to slideshow.
In the lesson we didn't create a big piece but I liked the idea and I made a bigger one at home. I used images from my fashion shoot, cropped them in squares and made like a puzzle. That is my final piece:


Because it was my fist try there are some white gaps between some of the images, if I were to make it again I would make sure to put the images without leaving any gaps. 


Tuesday, 1 November 2016

Memory

What is memory?
What are memories?



"Memory is not a single organ like the heart or liver, but an alliance of systems that work together, allowing us to learn from the past and predict the future." Which means that memory is very complicated, moreover there are many types of memory that works and stores information differently. "The systems range is storage duration from fractions of a second up to a lifetime"(A. Baddeley, 1999)

Types of memory




·      Immediate memory (is the ability to remember a small amount of information over a few seconds)

·      Iconic, Echoic & Haptic (allows an individual to remember an input in great detail but for only a few milliseconds. Echoic - Imitative of a sound; onomatopoeic. sensory memory - the brief storage (in memory) of information experienced by the senses; typically, only lasts up to a few seconds. Iconic - visually representative.)
·      Short-term memory ((or "primary" or "active memory") is the capacity for holding, but not manipulating, a small amount of information in mind in an active, readily available state for a short period of time)
·      Long-term memory (the capacity of long term memory could be unlimited, the main constraint on recall being accessibility rather than availability. Duration might be a few minutes or a lifetime)

o   Episodic memory (autobiographical memory) – allows us to recall events also information related to the events. (visual)
o   Semantic memory – stores facts and general information. (analytical)
o   Declarative memory – consciously available for us at all times
o   Procedural memory – skills and tasks.
·      Collective memory & False memory

Memory is the process in which information is encoded, stored, and retrieved.

"The briefest memory stores last for only a fraction of a second. Such sensory memories are perhaps best considered as an integral part of the process of perceiving. Both vision and hearing then appear to have a later but temporary storage stage which might perhaps to be termed short-term auditory and visual memory, leaving a memory trace that lasts for a few seconds. In addition to these, we clearly also have long-term memory for sights and sounds. We can remember what sunset looks like, could probably recognise a photograph of Albert Einstein or Joseph Stalin, or identify the voice of a close friend, or the sound of a creaking door. All these indicate some of long-term storage."(A. Baddeley, 1990)

What triggers memories. How do we represent and recall them?

·      Smell
·      Sound
·      Taste
·      Pictures
·      Touch

Memory loss v Loss of memory

Memory loss – over time and loss of memory – if there was an accident (type of amnesia)

Amnesia: retrograde amnesia (is a loss of memory-access to events that occurred, or information that was learned, before an injury or the onset of a disease) & anterograde amnesia (is a loss of the ability to create new memories after the event that caused the amnesia, leading to a partial or complete inability to recall the recent past, while long-term memories from before the event remain intact)

Dementia

·      Recent memory (the ability to learn and recall information)
·      Language (the ability to write or speak)
·      Visuospatial function (skills allow us to visually perceive objects and the spatial relationships among objects. These are the skills that enable us to recognize a square, triangle, cube or pyramid)
·      Executive function (are a set of cognitive processes – including attentional control, inhibitory control, working memory, and cognitive flexibility, as well as reasoning, problem solving, and planning)



References:


Boundless. “Sensory Memory.” Boundless Psychology. Boundless, 08 Aug. 2016. Retrieved 20 Oct. 2016 from https://www.boundless.com/psychology/textbooks/boundless-psychology-textbook/memory-8/types-of-memory-52/sensory-memory-208-12743/
  
Baddeley, A.D. (1999) Essentials of human memory. Hove, UK: Psychology Press.

Baddeley, A.D. (1990) Human memory: Theory and practice. London: Psychology Press.